Marv Wolfman to write Superboy while Tony Bedard takes over Supergirl

This December, some creative changes will be coming to the Superman family of books, specifically Superboy and Supergirl...

With the twenty-sixth issues of both series, each will be getting a new writer for at least one arc. Superboy's getting taken over by comic book legend, Marv Wolfman meanwhile Supergirl's new writer will be Tony Bedard.

Marv Wolfman is the co-creator of characters like Starfire, Cyborg, Deathstroke, Trigon, Raven, Tim Drake and many more, and has been the artist of fan-favourite series, The New Teen Titans and Crisis on Infinite Earths. I'm looking at this like a Christmas present to the Teen Titans fans, because having a creator who's been a major part of the Titans' history take on writing duties for the solo series of a member of the team's newest generation is going to be brilliant.

Then there's Supergirl, whose series is getting taken over by writer Tony Bedard, whose recent projects have included Blue Beetle and Green Lantern: New Guardians, and as the cover for Bedard's first issue, issue twenty-six, the first arc by the new writer will feature the much-talked about new look for Lobo.

Both writers start work on their new series this December.

(Source: Bleeding Cool)

DC Comics' Green Lantern solicits for November 2013

Throughout yesterday, DC Comics were releasing their solicitation sfor November of this year, I've already posted the Batman, Dark and Edge groups' solicits, and now it's time to find out what the Green Lantern characters are doing in three months time!


GREEN LANTERN #25 Written by ROBERT VENDITTI
Art by BILLY TAN and ROB HUNTER
Cover by BILLY TAN
1:25 B&W Variant cover by BILLY TAN
On sale NOVEMBER 6 • 32 pg, FC, $2.99 US • RATED T
Combo pack edition: $3.99 US
Retailers: This issue will ship with three covers. Please see the order form for more information.
The shockwaves of “Lights Out” are just starting to be felt, as Hal Jordan makes a controversial decision that will change the mission of the Green Lantern Corps! But not everyone agrees with Hal’s goals, and the dissent could weaken the Corps further!
This issue is also offered as a combo pack edition with a redemption code for a digital download of this issue.







GREEN LANTERN CORPS #25 Written by VAN JENSEN and ROBERT VENDITTI
Art and cover by BERNARD CHANG
1:25 B&W Variant cover by BERNARD CHANG
On sale NOVEMBER 13 • 40 pg, FC, $3.99 US • RATED T
Retailers: This issue will ship with two covers. Please see the order form for more information.
A BATMAN: ZERO YEAR tie-in! When The Riddler throws Gotham City into total darkness, a young Marine named John Stewart is deployed as part of the peacekeeping measures. But he gets much more than he expected when he must deal with the costumed chaos known as ANARKY!






GREEN LANTERN: NEW GUARDIANS #25 Written by JUSTIN JORDAN
Art by BRAD WALKER and DREW HENNESSY
Cover by STEPHEN SEGOVIA
1:25 B&W Variant cover by STEPHEN SEGOVIA
On sale NOVEMBER 20 • 32 pg, FC, $2.99 US RATED T
Retailers: This issue will ship with two covers. Please see the order form for more information.
After the stunning end of “Lights Out,” where is Kyle Rayner?! Or...WHEN is Kyle Rayner? And more important, WHY is Kyle Rayner? Answers to all these questions and more as the series rockets off to the outer limits of the DC Universe!









LARFLEEZE #5 Written by KEITH GIFFEN and J.M. DeMATTEIS
Art by SCOTT KOLINS
Cover by TYLER KIRKHAM
On sale NOVEMBER 27 • 32 pg, FC, $2.99 US • RATED T
In the wake of the revolt of the Orange Lanterns, Larfleeze faces his worst nightmare: living as the possession of someone else!








RED LANTERNS #25 Written by CHARLES SOULE
Art and cover by ALESSANDRO VITTI
1:25 B&W Variant cover by ALESSANDRO VITTI
Retailers: This issue will ship with two covers. Please see the order form for more information.
On sale NOVEMBER 27 • 32 pg, FC, $2.99 US • RATED T+
As the dust settles from “Lights Out,” Earth is no longer under the protection of the Green Lanterns. Sector 2814 is now the sole province of Guy Gardner and the RED LANTERNS! Criminals beware…psychopaths beware…hell, EVERYONE beware! How did this happen, you ask? Jump onboard with this issue and find out!




(Source: Newsarama)

I have to say, I'm a bit dissapointed that the upcoming "Lights Out" event is going to finish in it's forst month, events like that always seem to... crammed in, and it doesn't really do Justice to the story...

Why I have a problem with 'Over in one month' events

So, a comic book company ( and it's usually DC Comics who do this ) are announcing a new event/crossover related to one of your favourite books. This is obviously great since it's a big new story with your favourite characters and something that is hopefully a real stand-out on shelves for the numerous months that the story spans. Hang on, did I say "Numerous months", oh, I'm sorry, I meant ONE MONTH. That's right, this book you're enjoying has one month to tell the entire story it's been building up to for ages.

ONE.

This really gets on my nerves, you wait ages for an event related to one of your favourite characters and it's gone quicker than Joshua Hale Fialkov's run on Green Lantern Corps!

The example I'm going to use right now is 'The Culling'. Now, I'd been a huge fan of the Teen Titans for years and was really enjoying the New 52 run of the book so when I found out about the crossover centred around the series I was really excited. Then I found out that this event would only run through one month. This story was being led up to for almost nine months and I knew it would be building to something important but it's something I wished could've lasted longer.

 Look at some of the major DC Comics crossovers, they last for months (like most of Marvel's too, actually) events such as Blackest Night ( running for eight issues in it's own series and spinning off to include nearly the whole DCU), Flashpoint ( Five issues of it's own solo series, with loads miniseries spinning off from it, although to be fair it did reboot the DCU) and the recent Death of the Family ( four months tying into almost every Bat-book on the shelves for that time ), why not give all of the events the multi-month treatment?

I mean, don't the creators deserve it? they've been building to it for months and months so why not let the climax of their arc last a little longer? This concept was probably exciting when it was first used, that it's so fast-paced and quick but now it's just sort of tiring.

 DC are using this tactic again in October with the next Green Lantern event, "Lights out". It starts in Green Lantern #25, runs through that month's Green Lantern Corps, New Guardians and Red Lanterns then concludes in Green Lantern Annual #2 less than a month after it began.

I feel like this doesn't do the story justice, considering this is the first big story that the new Green Lantern creative teams are facing, and it's something that deserves to be bigger. Getting it done in one month seems like it's being rushed, which isn't exciting to me, it's annoying.

Another point that I want to bring up about this topic goes back to the Teen Titans example, and the fact that after "The Culling" the book didn't keep at a good standard. I feel like that series peaked with the Culling, but it seems that was the last good idea for the book. If the story had been allowed to continue a little longer it could've given the writer some more time to come up with ideas for the next stories because as much as I loved that title around the time of the event, I have to admit, it seems to be running very low on ideas and the only good bit about it now is the characters, really.

There is a pretty easy solution to this problem, why not have the story run just through the main book for several months rather than multiple books for one? You can still include all of the characters from different books, just use them in the one book and let the story run longer, it's most likely what the event and the creative team deserves.

If mainstream events are allowed to go on for months, why not all of the books? It adds more impact to the story if it lasts longer, and the longer the event is on the shelves for, the more new readers are likely to take notice and read it.