Interview: Ryan Stegman talks Superior Spider-Man, Spider-Man 2099, Scarlet Spider and more!

 
Harry: First off, Thanks for doing this interview, Ryan!

I'm going to start off with a few questions about one of the books you used to draw, Scarlet Spider!

How much of a say did you get in what the character was like,  considering Kaine was changed in a big way from his former villain identity?

Scarlet Spider by Ryan Stegman

Ryan Stegman: Hm...Most of that stuff was Yost. I got to re-design the character's costume and I made the decision to maintain his bulk, so to speak. I wanted him to look more intimidating than Peter. I do think I suggested we cut his hair and get rid of the beard so that he was more identifiable to the reader. But I think I may have suggested that and Yost said, "Oh yeah, I already planned on that." We were really on the same wavelength with everything.

Harry: Even though you don't draw the book any more, you're the cover artist on the series. Do you ever enjoy this more than interiors? Considering you still get to draw the character but you don't have to do as much for the deadline.

Ryan Stegman: No! I don't have anything against covers. I enjoy doing a few of those a month. But I'd lose my mind doing just covers. I like to tell stories. And I like to tell stories panel-to-panel. You can tell a story on a cover, sure, but you only get one image and story is generally subordinated to other aspects like design and making it "pop" of the shelves. 

I am currently in a week where I'm just trying to pump out four different covers and it's really tough because I like to think about a cover for a few days before doing it. Just marinate on it while doing other pages. Maybe I'll think about it when I go for a run, or something will come out of nowhere and hit you. But when you have to do a bunch of covers in a row you don't get that time to conceive and it makes it really, really hard.

Harry: Did drawing Kaine give you more experience for drawing web-slingers when it came to drawing Superior Spider-Man?

Ryan Stegman: Absolutely. I mean, I've kind of always drawn web-slingers in my spare time. But yeah, I really got to learn how to sequence action with Spider-characters throughout that book.

Fantastic Four by Stegman

Harry: You also had a run on Fantastic Four before it's renumbering, do you take a different approach to drawing team books than you do solo books?

Ryan Stegman: Yes. It's much harder! I really think about composition when I'm drawing on interior pages. And the more characters you have the more unruly the composition gets. Because there are so many variables that are difficult to control. So the planning stage takes longer. It all takes longer! 

Harry: Do you prefer any aspects of either type of book? For example, drawing backgrounds, there being less to draw in team books.

Ryan Stegman: I think I prefer doing a single character book because I can really connect with one character. The best example that I can give is that when I did my first issue of Amazing Spider-Man, 665, I felt like I connected immediately. I knew exactly what to do with the character. All my focus was on him. 

In Fantastic Four I felt like I really started to get it in my 3rd issue. Because I had all these little scenes with each character and we had to give each one their own emotional weight. So when I finally figured it out, my run on the book was essentially done!

Amazing Spider-Man 665 interiors
by Stegman

Harry: Onto your current project, Superior Spider-Man, which I'm really loving by the way!

This is obviously quite a controversial book, with one of Peter Parker's deadliest villains, Doctor Octopus, taking control of Spider-Man's body and taking on the role. Do you ever find negative comments distracting or unnerving or do you find it easy to carry on making the book and ignore them?

Ryan Stegman: Well, I only really get down when I read negative comments about my side of the book, meaning the art. Because I read the scripts. I read the book. I've read Dan's run on the book. I KNOW, in my mind, that it's a great story. So it's almost like an outsider looking in. I read negative comments about the story and just have a different opinion.

But when it's my art, that is harder for me to be objective about. Because I can't say definitively that what I do is good or great. That's for others to judge. So if somebody hates it I take it into account. Possibly to a fault! 

Harry: Are there any specific changes you make to drawing Spider-Man between Peter Parker and Otto Octavius?

Ryan Stegman: Only in his mannerisms and facial expressions. I draw Ock/Peter exactly as I would Peter just with arched eyebrows or maniacal smiles etc. 

Superior Spider-Man by Stegman

Harry: Do you prefer drawing the Superior costume or Peter Parker's costume?

Ryan Stegman: Both are cool. The Superior costume isn't different enough for me to really have much of an opinion. I will say that we did away with the webbing on the triceps that Parker had and that makes it way easier to draw!

Harry: On this series, there is a team of rotating artists, consisting of you, Guiseppe Camuncolli and Humberto Ramos. Are there ever times when you think "I would've loved to draw that issue" etc.?

Ryan Stegman: Well I'd love to draw every issue! But no, I am a huge fan of both artists and I love seeing how they do their issues. I'm really happy with the issues I got to do.

Harry: How is it decided which artist draws which issue?

Ryan Stegman: That's a question for Wacker! But I think he does a good job with that. He knows what our strengths are.

Harry: The writer of the series, Dan Slott, obviously starts setting up major storylines a long time before they happen. Does he usually tell you the things he's leading up to so you know a long time in advance?

Ryan Stegman: Yes. I'd like to take a journey through Dan's mind someday. It would be fascinating and terrifying. Dan will call me on the phone and just machine gun idea after idea and it's amazing. I could listen to him ramble on about this stuff all day. But yeah, I probably know what the plans are for the next two years or so right now.

Harry: (SPOILERS AHEAD) Now, the most recent issue of the series was #9, this was probably one of the biggest issues in the series and involved Otto Octavius erasing Peter Parker once and for all. Obviously this will have a major impact on the series, how do you think it'll change the tone of the book?

Ryan Stegman: Well, I drew the next issue so I don't want to give too much away. But you can rest assured that Ock is going to spread his wings and really be himself.

Inside the head of Peter Parker and Otto Octavius

Harry: This issue was mostly set inside Peter Parker/Otto Octavius' head. Was it fun to get to draw in such an odd setting?

Ryan Stegman: Oh yeah. It was awesome. I love drawing stuff that isn't real. Anything that will let me be imaginative and go nuts. And that was definitely an issue where I got to do that.

Harry: Will this change the way Otto acts in the series?

                                                                                Ryan Stegman: He will be more Ock-y than ever!

Harry: Onto some questions about a recent piece of news for the book, the return of Spider-Man 2099. Was it fun to draw such a classic character or was it a little bit intimidating?

Spider-Man 2099 convention sketch by Stegman.

Ryan Stegman: Well, if I was going to be intimidated by anything it'd be drawing Amazing Spider-Man. So no, this is just fun! I love his costume. And I just can't wait to get into the story and draw him in action. It's gonna be too much fun.

Harry: What can you tease about his upcoming appearance?

Ryan Stegman: Really, all I can say is that I hope we can bring him back right. I hope that it is so well received that we see a lot more of the character in the coming years.

Harry: One last Superior related question, is there anything you can tease for the series?

Ryan Stegman: No! Haha. Everything is under lock and key!

Harry: And just one general question. If you could draw any character or series from any publisher, who/what would you choose?

Ryan Stegman: My own characters! I love to create. Spider-Man is the gold standard at the big 2 for me. It's what I always wanted. Beyond that, the only thing that's really left is my own characters. In a perfect world I'd somehow alternate between Spider-Man and my own characters!

Harry: Thanks again, Ryan!

Ryan Stegman is one of three rotating artists on Superior Spider-Man, issue #9 is on sale now!

You can also catch him on his twitter page.

Review: FF #6

FF is one of the funniest and most enjoyable books you could produce, it's got amazing art, great writing, and the perculiar and unique comedy that this book is perfect at. That sentence sums up my thoughts of this comic completely and I could leave it at that, but I know that's not much of a review, so let me say some more.

Matt Fraction has managed to write a brilliant story in this book, and every issue manages to sum up who the character's are, which is NOT their counterparts on the original Fantastic Four team, and he shows this perfectly, and shows the public's reaction to this replacement team brilliantly.

He also adds in a lot of humour, which isn't something you see much of in recent comics. It's not usually straight-forward jokes, but the situations and characters are so different, weird and unique that it make sthe stoty funny. And the fact that the Baxter Building now officially has a Karaoke stage inside the Observatory on the roof is enough to give this issue a 10/10.

The art in this issue is by a stand-in artist, Joe Quinnones. The art style is very similar, and I'll be honest, I've had to update this review since it took me a few days to notice it wasn't Mike Allred. A lot of times a stand-in artist is seen as a bad thing, but Joe Quinnnone's art fits the style of the book really well, so it's definitely not a problem.

The creative team also aren't afraid to bring up topics that some people see as "difficult", and being able to include LGBT topics in a story is something a lot of creators can be too scared to do, but Matt Fraction and the stand-in artist, Joe Quinnones show it perfectly.

Overall, one of the best comics out this week, and one of the best series being produced in comics at the moment. Roll on the next issue!

Rating: 10/10!

You definitely need to buy this book!

Review: Fantastic Four #7

Warning, Spoilers!

I'd just like to start off by saying that Fantastic Four, as well as it's sister book, FF, is one of the most interesting books on the shelves. It's awesome to see Matt Fraction's take on the Galaxy, past and future of the Marvel Universe, and he manages to come up with some brilliant concepts, the idea to have the Fantastic Four see the birth and death of the Universe was great, and I've never seen that done with any characters before.

Basically, in this issue, the Fantastic Four travel to the end of everything, the Big Crunch. This was a great idea for a story, and I really enjoyed reading it, it's written smartly, and lives up to the excellent standard set by the first six issues of this series.

I'm also a big fan of Mark Bagley's artwork, he was one of the first artists whose work I saw when I was starting to get into comics, and I've loved it in everything I've seen it in. He manages to draw the alien species so well, and all of them look completely different, as they should.

The one page in this issue most, though, was the one of Valeria explaining why the Alien observers' plan would not work. It really sums up that character, shows that she's not to be underestimated and that she doesn't let being a kid get in the way of speaking her ideas to people.

The end of the issue was a great example of Matt Fraction's really intelligent writing, I know it's a little off topic but it ties perfectly to the ending of this week's "FF", I don't want to ruin it, but I'm sure you'll understand the onnection when you've read both of the issues.

All around, this is a fascinating and well written comic, with great artwork and an interesting plot. Another great issue by Fraction and Bagley!

Rating: 10/10!